In the Woods

 
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Until last week, it felt like March 59th. But this week the trees have started leafing out properly and the quince is about to explode in blossoms, so I feel slightly less pessimistic. Although if the snow predicted for this weekend comes along, I might have to revise that statement. See also: Murder Hornets.

Aside from killer insects and ridiculous weather patterns:

* I’m reading The Old Reliable right now, because I needed a laugh and Wodehouse always delivers on that count. I’m also reading No Idle Hands, a social history of knitting in America, which is absolutely fascinating.

* I planted sweet pea, radishes and snap peas this past weekend and the radishes are already poking through. I also started shallots and pumpkins indoors. Gardens are strange, wonderful and frequently maddening. But there’s nothing like seeing little bits of green to give you a sense of hope.

* I’ve been watching The Mallorca Files lately and so far, am loving. It’s a witty tale of an odd couple cop duo, set on the sunny Spanish island of Mallorca. Also, now I really want to visit Mallorca.

Hunkered Down

 
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Four months in and 2020 is already making my (and I suspect your) head spin. What a strange, strange few weeks. Life here isn’t too radically altered and for that I’m very grateful. I’m still working, drawing, painting, stitching. I’ve walked more the past month than I have in eons. And I’ve done plenty of stress baking: four loaves of soda bread, one batch of hot cross buns, two cakes and a couple dozen cookies. I suppose it’s a good thing I’m walking far more — gulp! I do miss friends and family though (especially my 93 year-old-grandmother). But this too shall pass, right?

And I’m tentatively planning to do some sort of live drawing demo. on Instagram or Facebook in the not too distant future. I tried last week to set up for that, but discovered that balancing a camera on a stack of books just isn’t the way to go, especially if you’re a highly accident prone individual… So more on that later!

Beyond that, I’m slogging through the end of Little Dorrit, binge watching Gardeners World and knitting this cardigan.

Stay safe + be well!

Lots and lots of Educational Things

 
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Where to even start? The past fortnight has felt like two months, rather than two weeks! Wherever you are, here’s hoping things are well on your end.

I did want to start pulling together some resources for families, especially if you’ve suddenly found yourself a surprise homeschooler. Below are links to some coloring sheets, as well as free activity kits put together by the authors of books I’ve illustrated. Hope you find these resources helpful! And I’m hoping to do some kind of Facebook or Instagram live event in the next week or two (drawing? reading? I’m open to suggestions!). So… Let’s get to the links:

* Download the above forest wanderer here.

* Or if mythical woodland creatures are your jam, you can download this fairy coloring sheet.

* Want to get out of the house? Here’s a Finding Wild activity sheet. And if you’re a school or library and would like to be able to read Finding Wild or Fort Building Time during the next few weeks, check out author Megan Wagner Lloyd’s site for guidelines.

* Some coloring sheets from Bella’s Rules, by Elissa Haden Guest (download sheet #1 and sheet #2).

* Author Uma Krishnaswami has an activity kit for both The Grand Plan to Fix Everything and The Problem With Being Slightly Heroic (two delightful middle grade books I illustrated a few years ago). You can find that terrific resource here (scroll down a bit to download).

* And Kate Hosford has up some super fun curriculum resources for the books she’s written, including an activity kit for Mama’s Belly.

Hope you enjoy! And if you use any of the coloring sheets, definitely let me know (or holler at me on social media). Stay well!

Rose Tea

 
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I haven’t had much time for personal projects lately, but I did sneak in some time for the above sketch yesterday. I had a cup of this Polish tea the other day. It unfortunately contains no blooming roses, but at least it fuels the imagination.

And this review for Itzhak: A Boy Who Loved the Violin just came out and I couldn’t be happier.

Knit One Purl Two

 
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I’m slowly adding artwork to my portfolio, including this piece I created last fall for Taproot Magazine, Issue 36 / WEAR. Working on this illustration was a real delight and I loved painting all the little details. The photos on the cupboards are a hat tip to my grandmother, who covered every square inch of her kitchen cabinets with family photographs. And the snoozing Sheltie is mine, back in her puppy days. If you’re eagle eyed, she also makes an appearance in Fort Building Time.

Pencilling + Painting

 
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Art supplies I like/love, in no particular order:

Paper: I use cold press watercolor paper for original art. It works well for details and I’m a fan of these blocks. For pieces that I’m going to scan (book art, surface design, editorial, etc.) I use Bristol Board. There is some warping, but it can handle an okay amount of mixed media and minimal paper texture shows up in scans. If my painting involved huge swaths of washes and lots of layering, Bristol Board wouldn’t work. But as my illustrations are finished up in Photoshop, and I’m not using tons of water, it’s a system that works for me at the moment.

Paint: I love Winsor & Newton and Daniel Smith, but my budget sadly does not. My workaround has been gradually phasing out the student grade brands I’ve used, replacing them with higher quality paints as finances allow. That said, I’ve found Van Gogh watercolors to be a cost-friendly alternative and I’ve been happy with the quality overall. I also have a Pelikan set from high school (!) that I use mostly for sentimental reasons (and the pretty terrific cad red). Aside from watercolor? I occasionally use gouache, very thinly. I like the texture it allows me to create with pencils layered on top. And speaking of pencils…

Pencils: I love, love, love Staedtler’s watercolor pencils. I actually use these like straight up colored pencils, with no water. They aren’t waxy and I’m able to get fine details with them. I have some Prismacolor from college also, as well as my late grandfather’s collection (which is mostly made up of sadly-defunct-but-amazing pencil brands). And for graphite, I’m all about the Mars Lumograph from Staedtler and just use generic brands for mechanical pencils.

Sketchbooks: I’ve tried a lot of brands over the years and always come back to this Canson sketchbook. It’s economical, spiral bound and you can get them pretty much everywhere. When it comes to a day to day sketchbook, this ticks all the boxes and I find because it’s affordable, I’m not as apt to become overly precious as I would with something pricier. That said, I do have a Handbook sketchbook that’s pretty amazing. It’s a splurge, but for travel I can’t recommend it enough. And I also have a small Moleskine that I keep in my purse.

So that’s that, in a nutshell.

And one important caveat? Art making doesn’t need to be expensive — this artist creates amazing portraits with Crayola markers and here’s a bunch of artists working in ballpoint pen. Start with what you have, add on as you can, but don’t get too hung up on the cost and quality of your materials. Nice art supplies can be a hugely helpful, but there’s lots of student grade options and products at your local craft store that will do the job nicely. Use what resonates with you and what helps you make the art that you want to make.

Happy art making!